ysl dress mondrian | mondrian dress 1960s ysl dress mondrian In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the . LV Wrapped 60mm Belt. $1,360.00. LV Wrapped 60mm Belt. $1,360.00. LV Studs 29 Belt. $520.00. LV Circle 35mm Reversible Belt. $640.00. Everyday Chain LV 30mm Reversible Belt. $710.00. LV Initiales 40mm Reversible Belt. $590.00. LV Initiales 30mm Reversible Belt. $565.00. LV Initiales 30mm Reversible Belt. $565.00. LV Initiales 30mm .
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In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the .The six wool jersey and silk A-line Mondrian dresses comprised graphic black lines and blocks of white and primary colour, directly referencing the work of Mondrian. Rather than being printed, the dresses were made of pre-dyed fabrics, each colour in their design being an individual piece of fabric. Saint Laurent experimented with the interplay of lines by integrating them in the sea.In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful.
1965 Mondrian dress by Saint Laurent, Rijksmuseum. The six wool jersey and silk A-line Mondrian dresses comprised graphic black lines and blocks of white and primary colour, directly referencing the work of Mondrian.
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Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work. The Mondrian dress was conceived for YSL’s Fall/Winter 1965 collection, just after sack dresses had evolved to the slimmer and chicer shift dress silhouette. Laurent looked at the new shape and realized its planarity was perfect for a field of color blocks, like the works of Mondrian, who worked with primary colors in linear arrangements.
Among the highlights were a row of Mondrian-inspired dresses, a theatrical cape of ostrich feathers, a beige safari-style jacket, a harlequin dress made of satin patchwork, alluring translucent pieces, and loose unassuming wool peacoats—each piece .As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yves Saint Laurent’s Fall/Winter 1965 collection, inspired by the abstract paintings of Piet Mondrian and Serge Poliakoff, included one of the most iconic garments of the twentieth century: the ‘Mondrian’ dress.
The dress was inspired by the abstract paintings of the Dutch De Stijl artist Piet Mondrian (1872-1944). Yves St Laurent designed a group of bold dresses based on intersecting black stripes and blocks of primary colours. In this presentation based on their recently published book, Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art (MIT Press, October 2023), Nancy J. Troy and Ann Marguerite Tartsinis examine the explosive popularity of Yves Saint Laurent’s 1965 Mondrian dresses, tracing the circulation of the original couture models as they .This dress is a masterpiece by Yves Saint-Laurent, a leading designer of the 20th century. A straight A-line dress with boldly set primary colors, bordered by black straight lines, was created.
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In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful.1965 Mondrian dress by Saint Laurent, Rijksmuseum. The six wool jersey and silk A-line Mondrian dresses comprised graphic black lines and blocks of white and primary colour, directly referencing the work of Mondrian.
Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work. The Mondrian dress was conceived for YSL’s Fall/Winter 1965 collection, just after sack dresses had evolved to the slimmer and chicer shift dress silhouette. Laurent looked at the new shape and realized its planarity was perfect for a field of color blocks, like the works of Mondrian, who worked with primary colors in linear arrangements.
Among the highlights were a row of Mondrian-inspired dresses, a theatrical cape of ostrich feathers, a beige safari-style jacket, a harlequin dress made of satin patchwork, alluring translucent pieces, and loose unassuming wool peacoats—each piece .As the sack dress evolved in the 1960s into a modified form, the shift, Saint Laurent realized that the dress's planarity was an ideal field for color blocks. Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yves Saint Laurent’s Fall/Winter 1965 collection, inspired by the abstract paintings of Piet Mondrian and Serge Poliakoff, included one of the most iconic garments of the twentieth century: the ‘Mondrian’ dress.
The dress was inspired by the abstract paintings of the Dutch De Stijl artist Piet Mondrian (1872-1944). Yves St Laurent designed a group of bold dresses based on intersecting black stripes and blocks of primary colours. In this presentation based on their recently published book, Mondrian’s Dress: Yves Saint Laurent, Piet Mondrian, and Pop Art (MIT Press, October 2023), Nancy J. Troy and Ann Marguerite Tartsinis examine the explosive popularity of Yves Saint Laurent’s 1965 Mondrian dresses, tracing the circulation of the original couture models as they .
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